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Dating vintage fender stratocaster

It’s easy to appreciate the research, time, and sweat that went into the creation of these instruments.The challenge lies in not flat-out gushing over them!Even the action on the vintage-correct 7.25″-radius fretboards played well, with no buzzing. Among the especially notable aspects of the series are an all-lacquer finish – no poly undercoat, just three thin coats of Fender’s new Flash Coat process – and a return to bone nuts rather than composite.

It’s a more-authentic sound Fender created after it reverse-engineered several vintage pickups and discovered that using a slightly smaller-diameter wire imitates the over-stretching of wire common in the vintage era.Its neck had a classic slim-C profile with slab rosewood fretboard, and its pickups were a bit hotter, with more midrange than the ’56 Strat.In positions two and four, the ’59 produced a thicker overdrive sound and rounder low-end (for more on the nuances uncovered by Fender, see “Classics Redefined” in the “First Fret” section of this issue).The G&G cases used with the series have also been given a period-correct update.They’re generally 1/4″ thinner, with more-rounded edges; the ’52 Tele and ’56 Strat are in tweed cases with orange lining, while the ’59 Strat has brown tolex case with yellow lining, and the ’65 Jazzmaster is in black tolex with amp logo attached and orange lining.

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More than a decade and a half since its 1954 introduction, the Stratocaster had finally won widespread popularity by the time 1969 turned to 1970.

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